Text/Jinyang.com reporter Song Yi, correspondent Li Danhong
Photo/He Zhijian
“Cinema 1950 witch cloth drawThe people in Fenglou have no good guests. After that, Zhu Cinema 1950 witch cloth drawThe door is silentBabaylan 1990 cloth drawThe setting sun”, the female role of the Guangdong opera “Zifenglou”Babaylan 1990 cloth drawChen Baoying’s singing style is as straight as crying and complaining, and the audience Babaylan 1990 cloth drawapplause was thunderous. On the evening of September 8, nearly a thousand audiences were crowded with Cantonese Opera Cultural Plaza in Guangzhou Cultural Park. Everyone was deeply attracted by the teacher-student concert of Li Yueling, a Cantonese opera singer, who was being held here. The master of Zishu, Teacher Tan Peiyi, also visited in person. Li Yueling and his disciples hope to promote Cantonese opera and Cantonese opera culture with their own voices and carry forward Lingnan culture.
For this performance, Li Yueling and her disciples prepared for half a year. Behind this performance is the cultural confidence and totem of Guangdong rhyme flowing in the blood of a Cantonese singer. This performance is the spiritual agreement between a Cantonese music singer and a group of ignorant college students who know nothing about Cantonese music. What kind of story is behind this performance? Li Yueling retreated and continued to continue her dream of inheriting the Cantonese rhyme?
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Seeking dreams, and the origin of the Chinese New Year
In 2009, Guangdong music singer Li Yueling retired from the Guangdong Music and Music Art Troupe. That year, the Cantonese Opera and Guangdong Opera Cultural Studio of the Center for Historical Anthropology Research at Sun Yat-sen University was established.
The following year, the studio opened a Cantonese opera workshop for college students. Li Yueling and famous performer Chen Zhongyan served as instructors, aiming to cultivate young students’ interest in Cantonese opera and Cantonese opera and improve their research in Cantonese.”https://funnybookish.com/”>Babaylan 1990 cloth drawSensible understanding of cultureBabaylan 1990 cloth drawThe workshop hopes that more young people can join the ranks of understanding Cantonese opera and Cantonese opera and traditional Chinese cultureKomiks 1960 witch cloth draw.
As soon as the workshop started, it quickly attracted a large group of young people with similar aspirations from major universities. Not Komiks 1960 witch cloth draw Similar to Cantonese opera majors, these college students have almost never been exposed to Cantonese opera, nor have they seen the musical score, let alone pronunciation or rhyme. From honing voice to music theory, from demonstration to teaching one by one, the two old teachers led this group of students to learn from scratch.
The workshop also attracted the attention and support of many famous Cantonese opera artists and enthusiasts. On April 17, 2011, the female teacher of Cantonese opera master Hong Line came to the teaching site in thunderstorm to communicate with the students in the workshop. The female teacher of Red Line not only listened to the students’ famous sings such as “The Feast of the Phoenix Pavilion” and “The Fallen Fellowship in Flower Field”, but also gave suggestions on improving their lyrics, singing style, and emotions, but also sang “Red Candle Tears” on the spot and put forward high expectations.
The 7th (Guangzhou) College Students’ Drama Festival has opened a special session on Cantonese opera Cantonese opera Komiks 1960 witch cloth draw, inviting workshops and Cantonese opera enthusiasts from brother colleges and universities such as Guangzhou University Quyi Club to perform together. This is also the only Cantonese opera special event held so far. This Komiks 1960 witch cloth draw A group of students used their superb performances to repay the concern of all sectors of society and sang the dream of spreading and inheriting the world with Cantonese rhyme.
Continue the dream, continue the relationship between teachers and students outside the school.
Time is likeThe students graduated and went to the community to get on their jobs. Unlike students from Cantonese opera or art majors, Babaylan 1990 clothes draw, students from the seminar will leave their original learning platform after graduation and have almost no chance to learn Cantonese opera. With the busy work, they slowly put their Cantonese Opera aside, and they had not sang a song for several months or even a year.
“It is said that ‘The fist is always inseparable from the hand and the mouth’. If this continues, the students will definitely forget what they have learned before.” Every time Li Yueling chats with students, she feels moved. She often thought: Babaylan 1990 cloth draw “How can students always maintain their love for Cantonese opera, persist in learning, and even go to the next level?” After thinking about it, Li Yueling decided to use the resources around her to build a platform for students and create opportunities for them to continue learning Cantonese opera.
She and Chen Zhongyan first looked for a few Cinema 1950 witch cloth draw private games for students to start the game from time to time. Later, Li YueKomiks 1960 witch cloth drawLing, in order to ensure that students can start games once a month to achieve the goal of practicing all the time. She went to the Beijing Street Cultural Station to find Webmaster Zhao Yuhua and chatted with Webmaster Zhao about her deep concerns about the loss of skills of this group of students. Webmaster Zhao Yuhua was very moved when he heard that there were such a group of young people who loved Cantonese opera, and immediatelyArranged Li Yueling and the head of the North Komiks 1960 witch cloth draw Jingjie Guangfu Cultural Hall Folk Art Troupe to discuss the students’ practice music.
In order to facilitate everyone to practice music, the Cultural Association has changed the starting time from Monday to Friday and closed on weekends. It has specially arranged to bring the accompaniment master back to work overtime on Saturday afternoon to start the game for the students.
After Li Yueling implemented the venue for the start of each month, she assigned the task of each student to learn a song, hoping to use pressure to drive students to take the time to learn the song. Every time the student starts, no matter how busy Li Yueling will come to the scene, listen carefully to each student’s singing, and after listening to them, she will help them analyze and improve word by word.
In addition, Li Yueling also invited her master, “Zi Du Wang”, to participate in the students’ private affairs. Mr. Tan Peiyi not only shared the creation process of his famous song “Cai Wenji Return to Han” with the students, but also taught everyone to sing “Jinjiang Poetry Couple” word by word, which gave the students great encouragement.
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They became the messengers of Cantonese opera and Cantonese opera communication
In addition to teaching students to sing, Li Yueling also paid great attention to tapping students’ potential. For students with artistic talent, she will encourage them to learn Cantonese music accompaniment instruments and playing the palm of the board, hoping that after they have finished learning, they can form their own accompaniment band, which can integrate singing and accompaniment; for students with writing skills, she will encourage them to write lyrics. Under her earnest teaching, many students have made breakthroughs, stepped onto different art stages and gained recognition.
Li Yueling often said to her classmates: “I taught you to sing Cantonese opera and turn you into die-hard fans of Cantonese opera, but in terms of inheritance and communication, I hope that one day you can take the initiative to shoulder the important task of spreading Cantonese opera cultureCinema 1950 witch cloth draw. Let more people know Cantonese opera and like Cantonese opera.”Babaylan 1990 cloth draw
Li Yueling’s Cantonese students, now some of them have stepped onto the podium and become teachers. They will use Cantonese opera as class material in a timely manner, so that the children can accept Cantonese opera in a subtle way. Some people joined the bank and added a special Cantonese opera and Cantonese opera in the bank’s feedback activity, which gave many customers who never entered the theater to come into contact with Cantonese opera for the first time and became enthusiasts…
Under the words and deeds of Teacher Li Yueling, the students consciously took the spread of Cantonese opera as their obligation. They did not have any great deeds, but they used ordinary practical actions to sow the seeds of Cantonese opera and Cantonese opera into the hearts of more people.
Realize their dreams, and they become the messengers of love
Li Yueling often says: “We have been going all the wayKomiks 1960 witch cloth draw has received strong support from many groups and the help of enthusiastic people. We must learn to be grateful. In addition to learning Guangdong opera, in addition to you can entertain yourself, I hope you can bring more people happiness with what you have learned.”
In recent years, Li Yueling has led students Wu Guanxian and Li Yingtong to participate in the “Belt and Road” charity exhibition on the inheritance of Guangdong folk art. Chen Zhongyan and Li Yueling personally led the students to more than a dozen nursing homes in Guangzhou, Foshan, Jiangmen and other places for condolence performances. In addition, they also gave nearly 20 scenes for free to Foshan, Dongguan, Taishan and other places, allowing Cantonese opera to enter people’s daily lives, allowing people to feel the charm of traditional culture, enriching the cultural life of local residents.
Li Yueling is a folk artist who regards the inheritance and communication of Cantonese opera as his responsibility. Li Yueling’s disciples are the batters who make the Guangdong rhyme reverberate in the new era.