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2020 Huadi Literature List | Fables and Faiths Careful Babaylan Cloth Reality Beyond Shadows and Flowing Years

2020 Huadi LiteratureBabaylan 1990 cloth draw List of the annual short stories list (sorted by the first letter of the author’s name)

1. Emma “Music of Mustard Inn” “Chinese Writers” Issue 3, 2019

2. Chen Chongzheng “Remembering the Power of Guanyin” “Writer” Issue 3, 2019

3. Chen Goodbye “Circus is Coming” “People’s Literature” Issue 7, 2019

4. Chi Zijian “Steamed Horse Boots” “Zhongshan” Issue 1, 2019

5. Du Lan “Mihuo” “People’s Literature” Issue 1, 2019

6. Huang Jinshu “Late Youth” “TianKomiks 1960 witch cloth draw一大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大大� drawIssue 10. Zhang Huiwen’s “TianjinCinema 1950 witch cloth drawIssue 7

1

Emma “Must Seed Inn”

A flower of chivalrous ideals

This is a novel with a novel narrative, intersecting traditional martial arts stories with modern social lifeBabaylan 1990 clothes draw, trying to reconstruct a transcendent chivalrous new in the secular worldworld. The strongest feeling when I first read this novel is that it is “fresh and lovely”. Xiao Wan, the owner of Mustard Inn, can be called an ideal flower full of chivalrous spirits blooming among secular sentient beings.

The novel is a cross-narrative between reality on the shore and the high shore, and the character Xiao Wan is fully established. She is an “escaper” with a sense of life and pain in urban life, and is also a “bystander” of the restless and uneasy souls in our current social life. The novel has a ease of writing, a lofty style, and has “the beauty of literature and the truth of thought”, which ultimately points to the issue of human soul exile and placement.

■Xu Fuwei

2

Chen Chongzheng’s “Remembering the Power of Guanyin”

Post-80s writers bring a new styleBabaylan 1990 clothes If the increasingly bizarre situation has caused the heroine’s inner belief to collapse, when she wants to get rid of her “thrilling life”, she can only destroy herself in a simple and cruel way.

Survival state, as the creative theme of literature, is never easy, but it is precisely because a good work has a transcendent cognitive and guiding role that this theme has become the goal of writers’ pursuit and competition.

Cinema 1950 witch cloth drawCinema 1950 witch cloth drawThis novel by Chongzheng brought us surprises. With his unique imagination and pioneering narrative style, and through in-depth thinking of “needing to guess and guess riddles,” Komiks 1960 witch cloth draw, he disassembled and reassembled real life, opening up a channel of inspiration for readers.

■Wen Huan

3

Chan Goodbye “Circus is Coming”

The spiritual room for middle-aged people in the small town

The young Chen Jiaojian is well-known in the literary world for a series of “Babaylan 1990 cloth draw County novels”.

He is still a young man at present, but he has stretched his brushstrokes ahead of his age. But this time, he used the situation of the young people he was good at in the squeeze of material survival as the specific background and details grid of characters who grew up further. Cinema 1950 witch cloth draw to emerge from his livelihood, just like a tenacious spider who also had to look into the sky during the rainy season – “The Circus is Coming”, and we got a good novel that uses Komiks 1960 witch cloth draw to build the power of time and space.

Not only that, the intertextuality between “circus” and people in small towns is another profound meaning in the novel. Can the imaginary story really Cinema 1950 witch cloth draw transcend specific life? The fact that there is originally something that needs to be “not to be said” is what is the meaning of the novel trying to “speak”? The difference between the spirit of young people and the enthusiasm of middle-aged people is probably because middle-aged people begin to assume spiritual room and want to use this to reactivate the “dream pursuit” journey that they once had.

■Shi Zhanjun

4

Chi Zijian’s “Steamed Horse Boots”

The value in the life genealogy

Chi Zijian As an excellent writer who has been in the literary world for many years, he seems to have few short stories in recent years. The short story “Stewed Horse Boots” has a bit of a deep and profound meaning.

In a short time, Chi Zijian incorporated many elements such as history and reality, war and human nature, animals and human beings, and wrote the desolation of history and the warmth of human nature. In the heavy snow all over the sky, Chi Zijian’s graceful and calm brushstrokes still maintain her unique softness and considerate even though she shows the coldness and cruelty in the hostile environment. Whether it is wolf nature, human nature, or death,Whether it is survival, it maintains its immortal value in the genealogy of life.

The novel adopts the “narration from a distance” method to allow the legend of the father to slowly unfold in the vision of “I”. It is the spirit of modern novels that makes such old stories of the Anti-Japanese United Nations shine with new literary brilliance.

■Wang Gan

5

Du Lan’s “Mihuo”

Cultural Palette and Mongolian Narrative

Du Lan’s short story “Mihuo” first grasped me with a personality style. There is no doubt that she belongs to the Mongolian people – the sheep are walking in the wind and snow, and the “Ga Le-Ga Le-” is earth-shaking. However, the author was born in 1999, which made me connect the language of my work with the Internet. Discourses like “Youth is keen on games” are full of the color of the Internet youth subculture. The language style of the Internet clan and the long-lasting language like Mongolian tribes interact to form a slightly dazzling, uncomfortable but full of personality.

The work is premiering with fables. A baby appeared in the ram’s belly, a paradoxical and weird ominous sign, so the “prairie faded” and the world suddenly changed; “I was shocked…” A series of mysterious and strange suspense symbols emerged in the middle of the real world. The indescribable symbols and pictures constitute the charming allegorical characteristics of the work.

■Jiang Bing

Babaylan 1990 cloth draw6

Huang Jinshu’s “Late Youth”

The Elegy of Desiring Change

Huang Jinshu’s narrative has wild imagination and distinct style, stirring up the mystery and vastness of the waves in the South China Sea. His short story “The Late Youth” integrates time, history, memory and identity, which is thought-provoking.

Although the mysterious young man has the ability to curb the flow of time, he still cannot catch up with the time threshold of history. This extreme juxtaposition reflects the insignificant lonely coldness of an individual in the face of the torrent of history.

Magic is both an unfulfilled hope and an elegy for a desire to change, presenting us with a Babaylan 1990 cloth draw is a unique fable of modernity. Late youth, that is, unfinished youth, is not only an inquiry of cultural identity by the Chinese in Southeast Asia, but also a revelation and breakthrough of the incompleteness of modern Chinese literature worldwide.

■Wei Wei

7

North of “Train”

The shadows of the years The Voice of Time

Thinkers would rather be good at literary exploration. The novel uses the wildness of the past teenagers to lead readers to take the whistling train, and together captures the broken shadows of the years from Beijing Liulichang to Yongdingmen Railway Station, and captures the clarity and loss of innocence of Xiaoqin’s growth center.

Deep in history and humanity, in the residential compound and the story space outside the capital, the sound of the train whistle turns into the sound of time in the novel, and runs towards the youth with a bang, gradually becoming the ideal light of the novel, and also creating the author’s new historical narrative.

The narrative of the works is concise and spiritual, resolute and rhythmic; the novel is rough and warm, desolate and clear.

■Zhang Yanling

8

Shao Li’s “Father on the Rooftop”

Speculations why he couldn’t extricate himself

“Maybe I changed my faith after leaving that city. “This is the first sentence of the novel “The Father on the Rooftop”. It is precisely because of this sentence that I value this novel. Especially the word “faith”, although it is a little abrupt and introductory, it implies some differences in this work.

After reading it, it is indeed a novel with profound connotation, a novel that touches the world of faith and inner world. The novel constantly reproduces the ups and downs and fluctuations experienced by the father who committed suicide by jumping off a building and committing suicide in his life. We also know that Babaylan 1990 clothes draw knows the bravery, righteousness and passion of his father once. Draw, stubbornness and frustration, the most memorable scene is the details of his notes.

The narrative that peels off the surface, we see the father’sThe soul also knows that he is or has encountered a mental crisis. What we want to know most is undoubtedly why he can’t extricate himself?

So, do we know? No, we can only speculate. And this brings back to the first sentence of the novel’s opening Cinema 1950 witch cloth draw.

■Bao Shi

9

Ye Zhaoyan《Komiks 1960 witch clothes DrawWu Fei and Aunt Wu Fang》

The unique artistic dialectics

Ye Zhaoyan beautifully completed a well-prepared artistic fight with “Wu Fei and Aunt Wu Fang”, which was also a very challenging writing adventure, that is, he wanted to write short stories that were “completely different from others”.

Incredible that this short story, which is less than 10,000 words, writes the ups and downs of life grudges and irresistible human entanglements of a pair of twin sisters, full of destiny and tragedy.

The novel looks complete from the big picture and rich and vivid in the small picture. The characters are full of fullness and fullness, which not only greatly expands the artistic space of short stories that reflects history and reality, but also deeply conveys the trembling, despair and indifference deep in the characters’ souls.

The story tells the story contains sadness in indifference and concern in alienation. The artistic dialectics of small and big, light and heavy unique to short stories can be realized.

■ Gu Guangmei

10

Zhang Huiwen’s “Angel”

Find inner comfort

“Angel” is a delicate work full of sentimental feelings. Around my father’s funeral, “I” who returned from a foreign land, with a desire to find the warmth of happy growth and blood ties, and tried to relive the love with the “angel” in my heart when I was young.

However, when he walked through this once familiar “small place”, he found that all the comforts of the Cinema 1950 witch cloth drawhe traveled all his heart and soul into this once familiar “small place”, but found that all the comforts of the Babaylan 1990 cloth draw turned into a hard, profitable reality, and all the admiration and longing were transformed into simple carnal joy. The emotions between people are constantly alienating, but the calculation of each other’s interests has become a daily routine. They form a close isomorphic relationship with their hometown’s cold and muddy streets, which make the return wanderers no longer find inner comfort.

If we think that “Angel” is a simple nostalgic work that conveys the author’s questioning the utilitarian reality of Chinese society, it seems that it is not bad. But I prefer to regard it as a fable, because every time we return to our hometown, we always preset countless beautiful scenes in our hearts, and we will eventually be smashed without exception, but we are happy.

■Hongzhigang

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